A SCHOLARLY BOOK REPOSITORY28 start with U start with U
Enter renowned food journalist Steve Dolinsky. He embarked on a memorable quest for his first book, Pizza City, USA: 101 Reasons Why Chicago Is America’s Greatest Pizza Town, tasting more than 185 pizzas all over the region. For his follow-up, Dolinsky focuses on the city’s pizzerias, while still honoring a few suburban stalwarts.
This user-friendly guide is organized by pizza style—including thin, tavern, artisan, Neapolitan, deep-dish, stuffed, by-the-slice, Roman, and Detroit—so you can find the right recommendation for every family member, visitor, and occasion. Dolinsky highlights his favorites, offers a pizza lover’s glossary so you can order like a pro, and shows you every pie he ate, so you can compare notes and cook up your next pizza night. With recipes, local beer pairings, gluten-free options, and more, The Ultimate Chicago Pizza Guide is an essential resource both for locals and for visitors in search of a serious pizza getaway.
Combining insights from demography and cultural anthropology, Johnson-Hanks argues that Beti women delay motherhood as part of a broader attempt to assert a modern form of honor only recently made possible by formal education, Catholicism, and economic change. Through itinerant school careers and manipulations of marriage, educated Beti women now manage their status as mothers in order to coordinate major life events in the face of social and economic uncertainty.
Carefully researched and clearly written, Uncertain Honor offers an intimate look at the lives of African women trying to reconcile motherhood with new professional roles in a context of dramatic social change.
There are many collections of African oral traditions, but few as carefully organized as The Uncoiling Python. Harold Scheub, one of the world’s leading scholars of African oral traditions and folklore, explores the ways in which oral traditions have served to combat and subvert colonial domination in South Africa. From the time colonial forces first came to southern Africa in 1487, oral and written traditions have been a bulwark against what became 350 years of colonial rule, characterized by the racist policies of apartheid. The Uncoiling Python: South African Storytellers and Resistance is the first in-depth study of oral tradition as a means of survival.
In open insurrections and other subversive activities Africans resisted the daily humiliations of colonial rule, but perhaps the most effective and least apparent expression of subversion was through indigenous storytelling and poetic traditions. Harold Scheub has collected the stories and poetry of the Xhosa, Zulu, Swati, and Ndebele peoples to present a fascinating analysis of how the apparently harmless tellers of tales and creators of poetry acted as front-line soldiers.
This collection of vignettes about life in Central Nevada is much more than a historical document. According to author Molly Knudtsen, “These are the stories neighbors and families tell, where fact grows just a little larger than life. This is the stuff of legend.”The book focuses on a time when splendorous houses decorated the windswept valleys of Central Nevada; where fearless, stouthearted men and women braved the elements to survive and seek their fortune; and when people who loved the land clung to it and gave it a character all its own. These tales capture the spirit and folklore of early-day Central Nevada and illustrate the effect on its present-day inhabitants. Molly Knudtsen shares the experience of riding horseback through some of the great archaeological finds of the valley. She divulges the secret of converting flour, yeast, and potato water into a perfect loaf of bread. And through colorful anecdotes, she passes along the legendary accounts of Colonel Dave Buel.
The significance of these folksongs, Jassal argues, lies in their suggesting and hinting at themes, rather than directly addressing them: women sing what they often cannot talk about. Women's lives, their feelings, their relationships, and their social and familial bonds are persuasively presented in song. For the ethnographer, the songs offer an entry into the everyday cultures of marginalized groups of women who have rarely been the focus of systematic analytical inquiry.
Carolina Maria de Jesus' book, Quarto de Despejo (The Trash Room), depicted the harsh life of the slums, but it also spoke of the author's pride in her blackness, her high moral standards, and her patriotism. More than a million copies of her diary are believed to have been sold worldwide. Yet many Brazilians refused to believe that someone like de Jesus could have written such a diary, with its complicated words (some of them misused) and often lyrical phrasing as she discussed world events. Doubters prefer to believe the book was either written by Audáulio Dantas, the enterprising newspaper reporter who discovered her, or that Dantas rewrote it so substantially that her book is a fraud. With the cooperation of de Jesus' daughter, recent research shows that although Dantas deleted considerable portions of the diary (as well as a second one), every word was de Jesus'.
But Dantas did "create" a different Carolina from the woman who coped with her harsh life by putting things down on paper. This book sets the record straight by providing detailed translations of de Jesus' unedited diaries and explains why Brazilian elites were motivated to obscure her true personality and present her as something she was not. It is not only about the writer but about Brazil as recorded by her sarcastic pen. The diary entries in this book span from 1958 to 1966, five years beyond text previously known to exist. They show de Jesus as she was, preserving her Joycean stream-of-consciousness language and her pithy characterizations.
The Library of Congress has designated American Cookery (1796) by Amelia Simmons one of the eighty-eight "Books That Shaped America." Its recognition as "the first American cookbook" has attracted an enthusiastic modern audience of historians, food journalists, and general readers, yet until now American Cookery has not received the sustained scholarly attention it deserves. Keith Stavely and Kathleen Fitzgerald's United Tastes fills this gap by providing a detailed examination of the social circumstances and culinary tradition that produced this American classic.
Situating American Cookery within the post-Revolutionary effort to develop a distinct national identity, Stavely and Fitzgerald demonstrate the book's significance in cultural as well as culinary terms. Ultimately the separation between these categories dissolves as the authors show that the formation of "taste," in matters of food as well as other material expressions, was essential to building a consensus on what it was to be American. United Tastes explores multiple histories—of food, cookbooks, printing, material and literary culture, and region—to illuminate the meaning and affirm the importance of America's first cookbook.
Marcia Herman’s family moved to Birmingham in 1946, when she was five years old, and settled in the steel-making city dense with smog and a rigid apartheid system. Marcia, a shy only child, struggled to fit in and understand this world, shadowed as it was by her mother’s proud antebellum heritage. In 1966, weary of Alabama’s toxic culture, Marcia and her young family left Birmingham and built a life in North Carolina.
Later in life, Herman-Giddens resumed a search to find out what she did not know about her family history. Unloose My Heart interweaves the story of her youth and coming of age in Birmingham during the Civil Rights Movement together with this quest to understand exactly who and what her maternal ancestors were and her obligations as a white woman within a broader sense of American family.
More than a memoir set against the backdrop of Jim Crow and the civil rights struggle, this is the work of a woman of conscience writing in the twenty-first century. Haunted by the past, Unloose My Heart is a journey of exploration and discovery, full of angst, sorrow, and yearning. Unearthing her forebears’ centuries-long embrace of plantation slavery, Herman-Giddens dug deeply to parse the arrogance and cruelty necessary to be a slaveholder and the trauma and fear that ripple out in its wake. All this forced her to scrutinize the impact of this legacy in her life, as well as her debt to the enslaved people who suffered and were exploited at her ancestors’ hands. But she also discovers lost connections, new cousins and friends, unexpected joys, and, eventually, a measure of peace in the process. With heartbreak, moments of grace, and an enduring sense of love, Unloose My Heart shines a light in the darkness and provides a model for a heartfelt reckoning with American history.
Garbage is often assumed to be an inevitable part and problem of human existence. But when did people actually come to think of things as “trash”—as becoming worthless over time or through use, as having an end?
Unmaking Waste tackles these questions through a long-term, cross-cultural approach. Drawing on archaeological finds, historical documents, and ethnographic observations to examine Europe, the United States, and Central America from prehistory to the present, Sarah Newman traces how different ideas about waste took shape in different times and places. Newman examines what people consider to be “waste” and how they interact with it, as well as what happens when different perceptions of trash come into conflict. Conceptions of waste have shaped forms of reuse and renewal in ancient Mesoamerica, early modern ideas of civility and forced religious conversion in New Spain, and even the modern discipline of archaeology. Newman argues that centuries of assumptions imposed on other places, times, and peoples need to be rethought. This book is not only a broad reconsideration of waste; it is also a call for new forms of archaeology that do not take garbage for granted. Unmaking Waste reveals that waste is not—and never has been—an obvious or universal concept.
The first extended study in English of Nicaraguan festival arts, Unmasking Class, Gender, and Sexuality in Nicaraguan Festival is an ethnographically and historically grounded inquiry into three festival enactments during the Somoza, Sandinista, and Neoliberal periods: the carnivalesque torovenado masquerades, the transvestite Negras marimba dances, and the wagon pilgrimage to Popoyuapa. Through a series of interlinked essays, Katherine Borland shows that these enactments constitute a people’s theater, articulating a range of perspectives on the homegrown and the global; on class, race, and ethnicity; on gender and sexuality; and on religious sensibilities.
Borland’s book is a case study of how the oppositional power of popular culture resides in the process of cultural negotiation itself as communities deploy cherished traditions to assert their difference from the nation and the world. It addresses both the gendered dimensions of a particular festival masquerade and the ways in which sexuality is managed in traditional festival transvestism. It demonstrates how performativity and theatricality interact to negotiate certain crucial realities in a festival complex. By showing how one locale negotiates, incorporates, and resists globally circulating ideas, identities, and material objects, it makes a major contribution to studies of ritual and festival in Latin America.
With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—at least a third of the population perished during the Indonesian occupation—means Timor-Leste’s dead have real, significant power in the country’s efforts to remember, recover, and reestablish itself.
Despite three decades of intense scrutiny and repeated attempts at ambitious reform, our laws against rape and sexual harassment still fail to protect women from sexual overreaching and abuse. What went wrong? In this original, provocative, and enlightening work, Stephen Schulhofer, a distinguished scholar in criminal law, shows the need to refocus our laws against rape and to create a new system of legal safeguards against interference with sexual autonomy.
Our laws provide comprehensive protection for property rights, labor, and other important interests, but sexual autonomy—the right to choose freely whether and when to be sexually intimate with another person—is devalued and ignored. With vivid examples, including stranger assaults, date rapes, and sexual encounters between job supervisors and subordinates, teachers and students, doctors and patients, lawyers and clients, Schulhofer shows that recent reforms of rape and sexual harassment law are overrated and inadequate. From the excessive degree of force necessary for an aggressive action to be defined as rape, to the gray areas in which coercion and exploitation can be used to elicit a false but legally valid “consent,” Schulhofer offers a clear analysis of the limits of current standards. His proposals for a radically different approach hold the promise of genuine respect and effective protection for the sexual autonomy of both women and men. It is an ambitious yet sensible vision, committed to allowing willing partners to seek consensual relationships, while fully protecting each person’s right to refuse sexual encounters that are not genuinely desired.
Before the turn of the twentieth century, many Swedish men emigrated to the American Rockies as itinerant laborers, drawn by the region’s developing industries. Single Swedish women ventured west, too, and whole families migrated, settling into farm communities. By 1920, one-fifth of all Swedish immigrants were living in the West.
In Up in the Rocky Mountains, Jennifer Eastman Attebery offers a new perspective on Swedish immigrants’ experiences in Idaho, Montana, Utah, Wyoming, Colorado, and New Mexico from 1880 to 1917 by interpreting their letters home. Considering more than three hundred letters, Attebery analyzes their storytelling, repetitive language, traditional phrasing, and metaphoric images. Recognizing the letters’ power as a folk form, Attebery sees in them the writers’ relationships back in Sweden as well as their encounters with religious and labor movements, regionalism, and nationalism in their new country.
By defining personal letters as a vernacular genre, Attebery provides a model for discerning immigrants’ shared culture in correspondence collections. By studying their words, she brings to life small Swedish communities throughout the Rocky Mountain region.
Jennifer Eastman Attebery is professor of English and director of American studies at Idaho State University.
Historian Brooks Blevins has spent his life studying and writing about the people of his native regions—the South and the Ozarks. He has been in the vanguard of a new and vibrant Ozarks Studies movement that has worked to refract the stories of Ozarkers through a more realistic and less exotic lens. In Up South in the Ozarks: Dispatches from the Margins, Blevins introduces us with humor and fairness to mostly unseen lives of the past and present: southern gospel singing schools and ballad collectors, migratory cotton pickers and backroad country storekeepers, fireworks peddlers and impoverished diarists.
Part historical and part journalistic, Blevins’s essays combine the scholarly sensibilities of a respected historian with the insights of someone raised in rural hill country. His stories of marginalized characters often defy stereotype. They entertain as much as they educate. And most of them originate in the same place Blevins does: up south in the Ozarks.
As young Dene migrate to towns and cities far from their homeland on the upper Tanana River of east central Alaska, they may never learn what it was like living from the land. In these interviews elders express concern that young Dene are becoming ignorant of the traditions that made their ancestors disciplined and strong enough to withstand the rigors of life on the land. The old life was taxing and made demands on the body and soul, and the struggle to achieve security placed a premium on knowledge, endurance, and constant effort. Modern conveniences have made life easier, but elders believe their knowledge is still vital to the survival of future generations.
With text in both Dene and English, The Upper Tanana Dene is a link to Dene experiences, lives, and understanding of the world and is meant for those interested in Dene heritage, as well as students and scholars of cultural and ethnic studies and history.
In this remarkable story of one man’s encounter with an indigenous people of Peru, Michael Brown guides his readers upriver into a contested zone of the Amazonian frontier, where more than 50,000 Awajún—renowned for their pugnacity and fierce independence—remain determined, against long odds, to live life on their own terms.
When Brown took up residence with the Awajún in 1976, he knew little about them other than their ancestors’ reputation as fearsome headhunters. The fledgling anthropologist was immediately impressed by his hosts’ vivacity and resourcefulness. But eventually his investigations led him into darker corners of a world where murderous vendettas, fear of sorcery, and a shocking incidence of suicide were still common. Peru’s Shining Path insurgency in the 1980s forced Brown to refocus his work elsewhere. Revisiting his field notes decades later, now with an older man’s understanding of life’s fragility, Brown saw a different story: a tribal society trying, and sometimes failing, to maintain order in the face of an expanding capitalist frontier. Curious about how the Awajún were faring, Brown returned to the site in 2012, where he found a people whose combative self-confidence had led them to the forefront of South America’s struggle for indigenous rights.
Written with insight, sensitivity, and humor, Upriver paints a vivid picture of a rapidly growing population that is refashioning its warrior tradition for the twenty-first century. Embracing literacy and digital technology, the Awajún are using hard-won political savvy to defend their rainforest home and right of self-determination.
A cultural history of the South Bronx that reaches beyond familiar narratives of urban ruin and renaissance, beyond the “inner city” symbol, to reveal the place and people obscured by its myths.
For decades, the South Bronx was America’s “inner city.” Synonymous with civic neglect, crime, and metropolitan decay, the Bronx became the preeminent symbol used to proclaim the failings of urban places and the communities of color who lived in them. Images of its ruins—none more infamous than the one broadcast live during the 1977 World Series: a building burning near Yankee Stadium—proclaimed the failures of urbanism.
Yet this same South Bronx produced hip hop, arguably the most powerful artistic and cultural innovation of the past fifty years. Two narratives—urban crisis and cultural renaissance—have dominated understandings of the Bronx and other urban environments. Today, as gentrification transforms American cities economically and demographically, the twin narratives structure our thinking about urban life.
A Bronx native, Peter L’Official draws on literature and the visual arts to recapture the history, people, and place beyond its myths and legends. Both fact and symbol, the Bronx was not a decades-long funeral pyre, nor was hip hop its lone cultural contribution. L’Official juxtaposes the artist Gordon Matta-Clark’s carvings of abandoned buildings with the city’s trompe l’oeil decals program; examines the centrality of the Bronx’s infamous Charlotte Street to two Hollywood films; offers original readings of novels by Don DeLillo and Tom Wolfe; and charts the emergence of a “global Bronx” as graffiti was brought into galleries and exhibited internationally, promoting a symbolic Bronx abroad.
Urban Legends presents a new cultural history of what it meant to live, work, and create in the Bronx.
Watch video now. (http://www.youtube.com/watch?v=VCs1xExStPw).
Ethnocentrism—our tendency to partition the human world into in-groups and out-groups—pervades societies around the world. Surprisingly, though, few scholars have explored its role in political life. Donald Kinder and Cindy Kam fill this gap with Us Against Them, their definitive explanation of how ethnocentrism shapes American public opinion.
Arguing that humans are broadly predisposed to ethnocentrism, Kinder and Kam explore its impact on our attitudes toward an array of issues, including the war on terror, humanitarian assistance, immigration, the sanctity of marriage, and the reform of social programs. The authors ground their study in previous theories from a wide range of disciplines, establishing a new framework for understanding what ethnocentrism is and how it becomes politically consequential. They also marshal a vast trove of survey evidence to identify the conditions under which ethnocentrism shapes public opinion. While ethnocentrism is widespread in the United States, the authors demonstrate that its political relevance depends on circumstance. Exploring the implications of these findings for political knowledge, cosmopolitanism, and societies outside the United States, Kinder and Kam add a new dimension to our understanding of how democracy functions.
Drawing on a broad range of sources, including building documents, correspondence, diaries, and court regulations, Klingensmith investigates the intricacies of Bavarian court practice and shows that Versailles was only one among several influences on German palace planning. Klingensmith offers a cogent, detailed understanding of the relations between architectural spaces and the ceremonial, social, and private life that both required and used them. Handsomely illustrated with photographs and plans, The Utility of Splendor will appeal to anyone interested in how life was lived among the nobility during the last centuries of the old regime.
Samuel John Klingensmith (1949-1986) was assistant professor of art history at Tulane University.
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